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Thursday, November 1, 2012

Chika Unigwe Wins Nigeria Prize for Literature

Just as I predicted two weeks ago in a story I did for TheNEWS magazine, the Belgium-based Nigerian internationally acclaimed writer was, this morning, awarded the Nigeria Prize for Literature. The prize is worth $100,000. My story in TheNEWS magazine titled, On The Path Of Stardom, speaks volume.

Chika Unigwe Wins Nigeria Prize for Literature print

Published on November 1, 2012 by · No Comments

NEHRU ODEH
Just as TheNEWS magazine predicted, Chika Unigwe, the Nigerian Internationally acclaimed writer has been awarded the Nigeria Prize for Literature for her novel, On Black Sister’s Street. The prize, worth $100, ooo, was awarded this morning by the Nigeria Liquefied Natural Gas at OceanView on Victoria Island Lagos.
The book cover: On Black sister’s street
On Black Sister’s Street, was adjudged the best of three novels that were earler shorlisted. The other two novels are ; Only a Canvas. By Olusola Olugbesan and Onaedo; The Blacksmith’s Daughter by Ngozi Achebe.

Professor Ayo Banjo, the Chairman of the panel of Judges who announced the award, said they consider Unigwe’s novel a work of outstanding merit. He also said poor quality of production is still a fundamental problem affecting Nigerian literature.
“Some of the entries would have stood a better chance of winning this prize but were marred by problems attendant upon poor publishing.
Some of the books submitted for this year’s prize failed to to rise to the final stage because of issues like poor editing, proofrrading and other publishing errors. Nigerian publishers ought to realize that this prize is an international one,” he said.
The criteria set for the entries were; quality of editing and production, relevanc to the Nigerian situation, vivid presentation of character and plot and use of language.
The Nigeria Prize for Literature was instituted in 2004 by the NLNG to identify and reward excellence in Literature.
“The overall objective of the Prize is to encourage and atimulate authorship and development of Nigerian literary culture in terms of creative writing, production and reading and by so doing guide literary taste,” Banjo said


 

Thursday, October 25, 2012

How Godwin Okpara Serially Raped Me print

Published on October 12, 2012 by · No Comments
Tina Okpara narrates her ordeal of sexual violation to NEHRU ODEH
Tina Okpara
Why did you decide to write this book?
For a long time, I refused to talk about my story. I refused all articles, interviews. One day, I told myself that if I refused testifying, other girls will continue to experience modern slavery. There will be other unhappy children, other “Tinas”. This is what gave me the courage.
Why did you title the book, My Life Has A Price?
It was proposed by Virginia Fuertes, the editor with whom I worked. I immediately found that corresponded to my story. My life has a price since Godwin Okpara gave money to my parents to buy me. But my life has also a price worth far more: the price of tears, fear and courage.
Considering what you went through in your adoptive parents’ home, do you blame your dad for letting you go through all those?
No. My father believed in doing what was best for me. He believed sincerely in giving me the opportunity to study in France and have a better future. The Okparas told him that I would go to school and when Linda Okpara made trips to Nigeria, she went to see my father and lied: “Oh yes, Tina works well in school, etc…”
Have you been able to get over the traumatic experience?
In part, yes. Because I was able to go back to school and get a job. Because I work with seniors and I feel useful. Because people have helped me: educators, my lawyer, friends. But I still have crying spells and nightmares. I wanted to write this book also to get it out of me. It came out, but it remains inside.
You had a secret notebook while going through the harrowing experiences. Did the raw material for the book come from the jottings you made?
Initially, I was not thinking about it. These notebooks were used to dump all my sorrow, all my hatred for Linda. It was my lifeline and my friend. But when I started writing the book, I took out the books. It was very hard to read everything.
You portrayed Mamie as cunning and subtly wicked. How were you able to cope with her?
At one point, I thought she might be my ally. But very quickly, I realised that she was spying on me, denouncing me and I learned to be wary of her. She did this because, as everyone in the house, she was afraid of Linda. And finally, she witnessed my tortures without saying anything.
What actually gave you the strength to survive the ordeal?
When I appeared on French television, a presenter first made a summary of the book and my life. Meanwhile, on a giant screen behind me, they ran images of Godwin Okpara as Paris Saint-Germain player. It was horrible. At the end, the presenter of the show turned to me and asked: “Tina, how did you survive that?” I was prepared to answer a lot of questions, but not that. There was a silence on the set of the show; I felt all members of the audience watching me. And a tear ran down my cheek. I was looking for the answer and it came. I said: ‘For the love of my father.’ It’s true. During all these years of suffering, I thought of him. I did not want to disappoint him. I remembered his kindness, his love. I also thought much about my mother, who was in heaven.
Did Godwin Okpara show any amorous interest in you before he actually raped you?
I do not know. In any case, he never tried to seduce me. He took what he wanted, suddenly, without love, without feeling, just for fun.
When did it occur to you that the Okparas didn’t have good plans for you?
I gradually realised when my school year was always delayed and at the same time, I had more work to do at home. And Linda was gradually changing her attitude towards me. At the beginning, it was ‘Tina, please, can you do that for me?’ Later, it became: ‘Tina, do this. Tina, why have you not done this yet?’ The day she spat it in my face that schooling was not for me because I was too stupid, I lost all hope.
You portray Linda as actually controlling Godwin in your book. Could you tell me how the couple met each other and got married?
I do not know how they met. Linda had a great influence on her husband. She was older, I think, and more authoritarian. He was afraid of her, I think.
Why do you think Godwin didn’t have the courage to challenge Linda over the way she was maltreating you?
On the football field, he was perhaps a courageous defender, but in life, he behaved like a coward. He was afraid of her. She dominated him psychologically. He was the child and she the mother. And I think he was not opposed to her because I was not important to him. I was something like a piece of furniture. You do not argue with your wife because she abused a table or chair.
In your book, you said Godwin gave your father some money. Did Godwin actually buy you? Or is the money a kind of price he paid for you?
I think the Okparas were malignant. They gave N30,000, the equivalent of 375 euros to my father, telling him that it was a gift. It was better hidden. In fact, they purchased me without my father’s knowledge. I believe that my father did not sell me .
The couple are still serving their jail terms. But you didn’t write about what happened to their children. Where are their children? Who is taking care of them?
After the arrest of Godwin and Linda, they were placed in foster homes. For them also, this story is a disaster. I often think about them because I loved them.
How long did it take you to write the book?
It took an entire year.
You wrote the book in collaboration with Cyril Guinet. Could you explain the nature of collaboration?
I did not know Cyril before writing this book. This is a journalist, who has always been interested in issues of child slavery around the world. For example, he went to Haiti to denounce ‘Restavec’, a traditional slavery of poor children. He knew my story by attending the trial of Okpara. As luck would have it, he contacted Maitre Peron, my lawyer, years after the trial. But the day before he called, I had just told my lawyer that I was considering writing my story. I told Cyril my story and he wrote, asking me questions along the way. We both worked several times a week. I cried a lot during these sessions and I gained weight. I even had to see a shrink not to sink. Then he sent me the chapters to re-read. In re-reading my story, I cried every time. But I was happy because the book faithfully captures my story.
What lessons have your experiences taught you?
Hope. This is the most important lesson. I also learned that I was stronger than I thought because I survived.
Where actually did you grow up in Lagos before you went to stay with your uncle?
I grew up at Shomolu, Bariga, in Lagos.
What was the relationship between your dad and the Okparas?
My father knew Godwin Okpara thanks to football. Godwin, when he was young, had played in a company where my father worked.
Does your past experience affect the way you relate with people now?
I do not know. I cannot say how I would relate with people if my life had been different.
Are you in any relationship now? What plans do you have for the future?
Like all girls of my age, I dream of Prince Charming. I want to be in love, get married and have children. I always dream of having a large family: two boys and two girls.
Do you intend relocating to Nigeria very soon?
Maybe to see my family, I have returned several times since.
In your book, you gave the impression that your father was poisoned? Do you still believe that?
He died in a very mysterious way.
What native language did your parents speak. Where are you originally from in Nigeria?
At home we spoke Alago our native language and Yoruba. I come from Nassarawa State.
Considering what you went through, are you satisfied with the judgment?
At the trial, I said all I wanted was a halt to the torture. I wanted to go to school and have a normal life, not to be a slave. Nobody should be a slave in the 21st Century. I told the judges: “If people like Godwin Okpara, if they want to pay to see him play football, release him but withdraw me from them.” Years in prison, it is normal in terms of what they have done. But that won’t give me back my childhood and my innocence.
Why did you think the couple behaved the way they did to you?
You should ask them. But I think they behaved so partly because others had done so before them and others are still doing it. For a certain part of the population, exploiting children is not wrong.
It is a tradition; it has always been this way and they do not understand why it should stop. Unfortunately, Linda and Godwin Okpara are not isolated cases. And today as I am answering your questions, there are many other ‘Tinas’ who suffer. This must stop!

Tina’s Trip To Hell print

Published on October 12, 2012 by · No CommentsTina Okpara, the girl that was sexually abused by former footballer, Godwin Okpara, puts her experience in print via My Life Has A Price
Tina Okpara
Tina Okpara’s story is a genuinely horrific one. Her adoptive father serially raped her for two years, while her stepmother treated her as a domestic slave for five years. Those acts landed the couple, Godwin and Linda Okpara, in jail. Godwin, a former Nigerian international, is currently serving a 10-year jail term in France, while Linda is in for 15 years. Seven years after, Tina, whom they adopted at 13, gained freedom and has decided to tell her tale in a 188-page book, My Life Has A Price. The book, originally written in French and first published under the title Ma vie a un Prix, has just been translated into English.
My Life Has A Price, written in a very simple and clear language, is a catalogue of Tina’s grotesque experience in the home of the Okparas. The book tells how Tina, after losing her mother, Teni Omaku, is adopted by the Okparas in Lagos in 2001 and taken to France, where her adoptive father once played for Paris Saint Germain. Tina, whose biological father told about the good life that awaited her in France, is stunned by the grim reality there. Tina’s adoptive parents refuse to send her to school, yet she is expected to take the couple’s three children to school daily and return to sexually pleasure Godwin–without her consent. Even when Linda catches Godwin raping her, she accuses her of seducing him and beats her severely, leaving her with both physical and mental scars. Tina keeps a secret notebook, in which she records her ordeal. “In the morning, I walk Solphie, Steve and Sandy to their school…When I come back to the house, Linda finds work to keep me busy. It is always ‘Tina do this,’ or Tina, do that.’ She asks me to sweep, to mop, to clean the rooms, to do the dishes or to help with the cooking. The tone of her voice is not always kind…Godwin does nothing in the house. He spends a part of the morning with us, but he does not talk much. Then he goes to training and joins the other players of Paris Saint-Germain,” Tina says.
However, one of the major strengths of the book is the way the writer portrays the characters. In the book, Godwin is depicted as often subservient to his wife. Linda is a brusque woman and the person in charge of affairs in the house. Badejoko Campbell, better known as Mamie, is portrayed as Linda’s cunning spy. Mamie is ready to sacrifice Tina to remain in Linda’s good books. The writer describes her adoptive father thus: “Godwin Okpara is perhaps a great footballer, an international defender. He is perhaps cleverer than the opposing attackers, no centre-forward scares him, but he can’t stand up to his wife! She is seven years older than him and one head taller. She dominates him physically and psychologically.”
The book is similar to Arthur Golden’s international bestseller, Memoirs Of A Geisha. In each of the books, the female protagonists, Tina and Chiyo-chan, are tricked into undertaking a journey, which turns out to be a new life of slavery. While Tina becomes a maid, Chiyo-chan ends up as a geisha, and both characters do not only express shock at their new status but also go through harrowing experiences in the hands of their guardians. Both books end on a happy note for the protagonists and they live to start another life and tell their stories.
Despite the book’s grotesque motif, it tells the story of a survivor. It is also about the triumph of the human spirit over impossible odds. The book starts with the writer depicting one of her darkest moments where she tries to escape and ends with her freedom. The book succeeds not just because Tina has told her story so well, but because writing it was a means of catharsis for her. “Emotionally, I am rebuilding myself slowly, but not completely. Today, I am a person full of life, joy and love to share. I definitely want to have children in the near future but in good conditions to prevent them from an uncertain future and particularly prevent their having a childhood like mine,” she says.
By Nehru Odeh